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Moreover, since piano players were the "first blues musicians" in Deep Ellum, Barlow's comments suggest that Blind Lemon Jefferson might have borrowed his "Booga Rooga" guitar bass figure from Boogie Woogie pianists in Deep Ellum, but given travels with Lead Belly on the T&P line, Jefferson could have also heard such Boogie Woogie pianists at other locations in Texas.

Jefferson might have also derived his "Booga Rooga" bass line from Lead Belly, after Leadbelly witnessed Boogie Woogie bass lines played by pianists in the Arklatex. Simms Campbell and Clarence Williams are among the earliest accounts that attribute an origin of Boogie Woogie music to a specific geographical region, namely Texas.

The first steam locomotives used by the Texas & Pacific were built by Rogers Locomotive Works.

For an excellent website pertaining to the Texas & Pacific Railway, see

It was brought by people like George Thomas, an early pianist who was already living in New Orleans by about 1910 and writing "New Orleans Hop Scop Blues," which really has some of the characteristics of the music that we came to know as Boogie."The Boogie Woogie piano players had already developed a mature style in the early twenties, yet it waited until 1938 to find ready acceptance in the hot music field, and by such dispensers of musical taste as the arrangers.

Specifically, on page 85 of the book, "The Story of the Blues," Oliver writes that George W.

However, before considering Boogie Woogie in such a broad historical context, I want to first examine its evolution within the United States.

"The first Negroes who played what is called boogie woogie, or house-rent music, and attracted attention in city slums where other Negroes held jam sessions, were from Texas.

In summary, I hope to engage in a sort of "meta-analysis" that will yield a coherent theory for development of Boogie Woogie that takes into account all known evidence.

Moreover, in 1986, after many years of researching the development of the Blues in America, historian Paul Oliver corroborated the idea that Boogie Woogie music originated in Texas (See below).

Consequently, part of my current analysis will focus on looking at evidence and at the music and migratory patterns of early Texas Boogie Woogie players.

Another attribution of the geographical origin of Boogie Woogie to Texas was in the radio script, "The Boogie Woogie Beat: Rompin' Stompin' Rhythm," (broadcast the week of 1/17/02, Riverwalk script 2001 by Margaret Moos Pick).

Moos wrote "They had a captive audience: loggers from the lumber camps deep in the piney woods, and workers laying track for the Texas and Pacific railroad, carving a line of steel through the wilderness.


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